African All Stars - TT Collective Mix

The TT collective mix brings together some of the major artists that have been featured in this first month of musical exploration (and shows off other faces that still have to have their own unique spotlight on these pages).

I hope that I've been able to share with you a taste of West Africa's contribution to global rhythm, extending to a depth only surpassed by Captain Nemo. Musical styles which borrow from Cuba, such as those from Kekele and Africando, melodies with their roots in Senegal and Mali copied and served up by the latest elected 24-hour pop sensation, and finally instruments such as the Cora that transcend rhythmic boundaries to offer something completely new and fresh

The African All Stars...(130MB download, 68 mins)

Track Listing: Cheikh Lo - Sou, Ba Cissoko - Allah Lake, Daby Balde - Mido Waino, Dianeba Seck - Bolokolonia, Kekele - Mace, Orchestra Baobab - Dee Moo Wer, Toumani Diabate - Mali Sadio, Tony Allen - One Tree, Tinariwen - Cler Achel, Mory Kante - Nafiya, Africando - Fatalikou, Nuru Kane - Talibe, Ali Farka Toure & Toumani Diabate - Kala, Amadou & Miriam - La Realite, Afel Bocoum - Alasida, Djeli Mouse Diawara - Almany, Ba Cissoko – Silany.

Kekele - Rumba in the Congo

It is to the Democratic Republic of Congo that the next musical focus belongs.

The roots of Congolese Rumba can be found in the city of Kinshasa (Leopoldville at the time) where local musicians started becoming familiar with Cuban music through radio broadcasts made during the 1950s. Hearing these imported sounds artists sought to combine them with their own local rhythms.

Congolese Rumba was born out of this musical cross pollination and it went on to dominate African popular music throughout the 1960s and 70s. Fast forward to the new millennium and for todays up and coming generation it’s been relegated to musical history.

However, Kekele, whose band members musical experience exceeds one-hundred years, have resurrected the Congolese Rumba. Their latest album Kinavana (and before that Rumba Congo) has first rate production and is sonically fantastic. They prove that’s it not just Tito Puente or Buena Vista Social club that know how to work those Cuban rhythms.

Listen to the track I’ve featured on this page, close your eyes and play guess the country.

Kekele - KinTokobuta Mikuwa

We could be sitting on a beach in Hawaii, cocktail in hand watching the hula girls swaying gently in the breeze. We could in Cuba playing dominoes in the street, or we could be in Africa? No way, we can’t be in Africa! But that’s exactly where we are!

The joy of this album for me is its ability to transport you to a place that leaves you guessing, albums like this remind us that we are all part of the same whole.

Modeste - Living our Destiny

Off the south-east coast of Africa lies Madagascar and if you journey a little further in you will find Modeste Hugues Randramahitasoa, and his album Fomba (Living our Destiny), offering a musical canvas filled with the sounds of the Betroka region.

A musician since the age of 15, the musical style is called Malagasy and it combines the natural sounds of the African bush with the warm undertones found in the traditional South African gospel tradition.

The music itself is beautifully played and structured, and manages to convey a feeling of serenity and solitude – it’s just Modeste and his guitar on stage. It’s also interesting to compare his music with that of Afel Bocoum from Mali - both musicians with the guitar - to note the differences the environment can play on the music (Afel Bocoum on the River Niger, and Modeste on the Onilahy River).

His music also manages to evoke an air of melancholy and reflection, something I find more common in South American performers such as Caetano Veloso, Gilberto Gil or going back a bit, Astrud Gilberto. You can judge for yourself....

Modeste - Fomba
Modeste’s set at the Europe in Union Concert, September 2003

All Kneel, The Cora

One secret of West African music

The Cora is the godly 21-stringed harp from West Africa. It can be found principally in countries such as the Gambia, Senegal, Guinea, and Mali where artists such as Toumani Diabate, Ba Cissoko and Baba Sissoko bring to life this instrument in all its colours.

The beauty of the Cora is the way it can operate at so many different levels. It can play high, middle, and low notes like most instruments, but the Cora can transcend these boundaries by giving the musician the option to play across all three tonal ranges simultaneously.

The result is mind-blowing: a single musician can provide a bass drum rhythm, add the melody, and then freestyle all at the same time.

I discovered the Cora 6 years ago walking through London's busy Leicester Square where I stumbled upon a musician getting elastic with his Cora. I can only say that it just stopped dead me in my tracks, and since then I've never looked back.

Here is small selection of Cora based music that I hope demonstrates how versatile this instrument is, and why it is a giant in its own right:

Ali Farka Toure and Toumani Diabate - Kala

Issa Bagayogo - Dya

Toumani Diabate - Single

See below how Toumani Diabate leaves the Cello struggling for air:

Cheikh N'Digel Lo - Melting Rhythms

Cheikh N'Digel Lo
This album was released in 2005 and is Cheikh Lo's third on World Circuit Records. An artist that grew up in Burkino Faso but now lives and writes music from Senegal, he first came to attention supporting giants such as Youssou N'Dour. This album combines Salsa and Rhumba Congo styles with more traditional Senegalese cantatas which have been more the staple of emerging artists such as Nuru Kane.

Lamp Fall - Sou

Africando - Ketukuba

Africando

My latest purchase is by a group formed in 1990 to bring together New York Salsa Musicians with Senegalese folk singers. The result is a sound that has the complex rhythms of artists like Orchestra Baobab and Tony Allen, with the freeform funkyness of Tito Puente.

I'm posting one track here just to give you a flavour of what you can expect.

- Bogne Sirala - Amadou Balaké